Please use this identifier to cite or link to this item: http://cris.utm.md/handle/5014/676
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dc.contributor.authorMUNTEANU, Angelaen_US
dc.date.accessioned2021-01-19T11:10:51Z-
dc.date.available2021-01-19T11:10:51Z-
dc.date.issued2020-
dc.identifier.citationMunteanu, Angela. (2020). PROMOTING NATIONAL IDENTITY IN STYLISTICS OF CONTEMPORARY ARCHITECTURE AND INTERIOR DESIGN. Journal of Social Sciences, III (4), 90–100. http://doi.org/10.5281/zenodo.4296370en_US
dc.identifier.issn2587-3490-
dc.identifier.issn2587-3504-
dc.identifier.urihttp://cris.utm.md/handle/5014/676-
dc.description.abstractThe identity of a nation represents the culture, the traditions, the material values and the spiritual values, these forming the treasure of a country, for this reason everyone's duty to preserve it and offer it continuity, not to allow us to reach a rupture between human and traditionalism. For the old peasant, the choice of the founding place of the household turns into a perfect ritual. The traditional style includes man's relationship with the natural and the supernatural, human's connection with nature, with all that the Creator has offered. Compared to the contemporary human, the old peasant was closely tied to the village and the house, but the contemporary human is uncontrollable. The simple and poor dwellings of the ancestors, with the few ornaments worked in the weaving loom, over time are enriched. The traditional Romanian style carries a strong load focused on the ornamental symbolism of textiles and fabrics, carpet, towel, inlaid furniture, all these representing a sustainable style in terms of the correct use of natural resources. Our job as architects, designers and painters is to make a close connection of contemporary man with traditionalism, to show that it is possible to live a contemporary life with a little touch of traditional style. And when an exterior or interior architectural work is created for a residential or public space, these traditional elements and natural materials specific to the Romanian style are implemented. Thus, the promotion of national stylistics is imminent, including for the students of architecture and design during the classes, with messages of identity and culture transmitted for the future.en_US
dc.language.isoenen_US
dc.relation.ispartofJournal of Social Sciencesen_US
dc.subjectthesaurusen_US
dc.subjectcontemporaryen_US
dc.subjectstyleen_US
dc.subjectnationalen_US
dc.subjectidentityen_US
dc.subjecttraditionen_US
dc.subjectcultureen_US
dc.subjectarchitectureen_US
dc.subjectdesignen_US
dc.titlePROMOTING NATIONAL IDENTITY IN STYLISTICS OF CONTEMPORARY ARCHITECTURE AND INTERIOR DESIGNen_US
dc.typeArticleen_US
dc.identifier.doi10.5281/zenodo.4296370-
item.grantfulltextopen-
item.languageiso639-1other-
item.fulltextWith Fulltext-
crisitem.author.deptDepartment of Architecture-
crisitem.author.parentorgFaculty of Architecture and Urban Planning-
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